The development process of painting experience classical, modern, modern several periods, in different periods of the painting is being affected by the constraints of the Art in the Age ideological and techniques, showing a different face.

Classical oil painting language of the integrated use of the results on the whole, different countries, different periods of the artist on the basis of one or several factors particular emphasis on, and the formation of a different style. Italian Renaissance painter pay more attention to the use of chiaroscuro, dark objects in a painting unified shrouded in the shadows, the light and dark boundary line were a soft transition, creating a screen effect concentration totally L. da Vinci "rock Madonna of the representatives of this style. The same time period the Netherlands painter clearly describe the differences rather than light and shade of color between objects in a painting in detail, scene transition R. Campion clover altarpiece Annunciation "meticulous rendering all indoor and outdoor scene. Titian in Italy is a special focus on painting color performance painter, his painting in the dark foundation and commonly lightness close, the hue slightly Exclusive bright color constitute a magnificent golden hue, transparent pigment multiple cascade suddenly thick suddenly thin strokes, and an organic fusion of color and shape, creating a texture effect.

The 17th century is a period of rapid development of European classical paintings, in different parts of the painters of the country according to the social background of their own lives, national temperament, in the painting language deep to explore a different kind of oil painting is divided by subject matter for the history of painting, religious story painting, group portrait, portraits, landscapes, still lifes, genre paintings. Painting techniques are also becoming more and more abundant, and the formation of all countries and regions of the School.